How to Hire The B-52s For Your Event!
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#1. How do I book the B-52s? See below.
#2. How much does it cost to book the B-52s? See below.
#3. What is the the B-52s booking fee? See below.
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Although less frequently requested, the following might be considered, also.
- A non-performance personal appearance.
An example would be to hire a celebrity to attend a private or corporate party as simply a (non-performing) guest to mingle with other guests, or to hire the celebrity to do a meet-and-greet at your party.
- A virtual performance.
A virtual performance is a live or recorded show—such as a concert, play, dance, comedy act, or other artistic presentation—that is broadcast or streamed online instead of being performed in front of a physical audience. Artists perform live from a studio, venue, or even their homes and stream the show on platforms like YouTube, Twitch, or Instagram Live. Essentially, a virtual performance brings entertainment to audiences through the internet rather than in-person venues.
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Our objective is to save you time and make the booking process smooth and rewarding.
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The B-52s Biography
Booking The B-52s
Formed in 1976
Formed in Georgia
Based in the U.S.
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Members:
Kate Pierson, Fred Schneider, Keith Strickland, Cindy Wilson, Tracy Wormworth, and others
After more than twenty-five years and twenty million albums into a career that began as a low-rent lark in Athens, Georgia, the B-52s remain the most unlikely pop superstars ever.
The first band to glorify pop culture with an almost Warholian sense of purpose, the B-52s purveyed their absurd B-movie style and off-kilter sound, celebrating the weirdness lurking just beneath the surface of Americana – not exactly a recipe for chart success but way ahead of its time, nonetheless.
The B-52s unforgettable dance-rock tunes start a party every time the music begins.
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The B-52s early days are well documented. Formed on an October night in 1976 following drinks at a Chinese restaurant, the band played their first gig at a friend’s house on Valentine’s Day 1977.
Naming themselves after Southern slang for exaggerated “bouffant” hairdos, the newly-christened B-52s (Fred Schneider, Kate Pierson, Keith Strickland, Cindy Wilson and Ricky Wilson) began weekend road trips to and from New York City for pick-up gigs at CBGB’s and a handful of other rundown venues.
Before long, their thrift store aesthetic, beehive hairdos, toy instruments and genre-defying songs were the talk of the post-punk underground.
A record deal soon followed and their self-titled debut disc, produced by Chris Blackwell, sold more than 500,000 copies on the strength of their first singles, the garage rock party classics “Rock Lobster,” “Planet Claire” and “52 Girls.”
With virtually no radio support, the B-52s began to attract fans far beyond the punk clubs of the Lower East Side – galvanizing the pop world with their ‘stream-of-consciousness’ approach to songwriting and outrageous performance.
The B-52s had clearly tapped into a growing audience for new music that was much larger than anyone could have anticipated. “We always appealed to people outside the mainstream,” says Kate Pierson, “and I think more people feel they’re outside the mainstream these days.”
An unexpected commercial and critical success, the band inadvertently formed the core of the burgeoning early ’80’s New Wave ‘movement’ and, along with such contemporaries as Blondie and Talking Heads, continued the pop music revolution that punk began.
With the release of their second studio effort, “Wild Planet” (1980), the B-52s, co-producing with Rhett Davies, proved that their success was no fluke, scoring hits with “Private Idaho,” “Party Out Of Bounds” and “Strobelight.”
In just two albums, the B-52s had created a lexicon of songs, styles, phrases and images which would set the standard for the development of the ‘alternative music scene’ for the next decade.
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The success of “Mesopotamia,” produced by David Byrne (1982), and “Whammy” LP (1983) thrust the B-52s into the pole position in the New Wave derby, with the band graduating to arena tours and becoming MTV regulars as well as alternative radio staples.
At the time of their greatest achievement, however, they were to suffer their greatest tragedy – the death of guitarist Ricky Wilson from AIDS. “He really had a vision,” said sister Cindy Wilson. “He was one of the strongest elements of the B-52s from the beginning.”
Wilson’s passing in 1985 came just after the sessions for “Bouncing Off The Satellites” (1986). The album, dedicated to Wilson, had taken nearly three years to complete and was worth the wait, serving up the favorites “She Brakes For Rainbows” and “Summer Of Love.” Too heartbroken to promote the album as aggressively as they had in the past, the B-52s questioned their future in music.
Even as the period of mourning grew into a three-year hiatus, Strickland, now on guitar, gradually resumed writing music for a new album. Working together on vocal melodies, lyrics and arrangements for the new tracks, Keith, Kate, Fred and Cindy emerged from their hiatus with the Don Was/Nile Rodgers co-produced “Cosmic Thing” (1989), the B-52s greatest commercial achievement and an album that propelled them from cult act to international superstars.
“When we started writing for the new album,” explains Fred, “we realized that a lot of the songs seemed to hark back to our roots, the time spent in Athens. It was a way to reassert who we were and why we got together in the first-place.” The look back was actually a great leap forward for the B-52s.
The album soared to #3 on the Billboard Album chart, sold four million copies and yielded their first-ever Hot 100 hits – “Love Shack,” “Roam” and “Deadbeat Club.”
Thought to have gone the way of their late, great New Wave contemporaries, the B-52s would, ironically, chart their greatest pop smashes in the ’90’s – and advance their reputation as the greatest party band on the planet to a whole new generation.
The band played to sold-out audiences worldwide as part of a tour that would last more than 18 months.
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Exhausted from constant touring – including a 1990 Earth Day gig before nearly 750,000 people in New York City’s Central Park – and promotion to ensure their hard-won success, the band took stock and, soon thereafter, Cindy Wilson amicably departed. “I’d been a B-52 for a long time, and it just felt like time for a change,” said Cindy.
Before long, Wilson had successfully completed her first solo project – a baby girl. Meanwhile, Kate collaborated with other artists, including Athens compatriots R.E.M., for whom she guest-starred on “Shiny Happy People” and CBGB’s friend Iggy Pop, duetting with the ex-Stooge on the lovelorn “Candy.”
Now a trio, Fred, Keith and Kate re-enlisted the tag team of Was and Rodgers to produce the energetic “Good Stuff” (1992). Including the title cut and interactive concert favorite “Is That You Mo-Dean?,” “Good Stuff” is more than just a great pop record – it is also the group’s most overtly political album.
Activists and fund-raisers for environmental, AIDS and animal rights causes for many years, the B-52s had rarely expressed themselves so openly in their music. “We’re out there to entertain people,” said Fred, “but it’s great to get people thinking and dancing at the same time.”
In typically surprising B-52s fashion, the band followed-up the socially-conscious “Good Stuff” with a completely apolitical cover of the “Flintstones” theme song, recorded for the soundtrack to the big-budget film revival of the ’60’s Hanna Barbera cartoon.
Apart from Schneider’s Steve Albini-produced solo effort “Just …Fred” (1996), the “Meet The Flintstones” single would be the last that B-52s fans would hear from them for a while.
Reuniting with Cindy, the B-52s wrote and recorded two new tracks that fit perfectly into “Time Capsule”‘s stellar collection of hits.
It has been said that the B-52s are as quintessentially American as the Beach Boys. The B-52s are finally taking much-deserved credit for a body of work that is as unique, beloved and timeless in its own way. Once visionary strip-miners of American pop culture, they are now very much a reference point in our cultural consciousness for future generations.
The B-52s influence cuts a wide path through much of so-called ‘modern rock’ – from the low-fi efforts of nouveau garage bands to the retro-hip of ultra-lounge to the very ascendancy of dance music itself. “Maybe people are at last beginning to pick up on what we’re doing and what we’ve been doing all along,” muses Strickland. “The underlying message of the B-52s is, ‘It’s okay to be different.'”
Hits include:
- Channel Z
- Good Stuff
- Love Shack
- (Meet) The Flintstones
- Mesopotamia
- Summer Of Love
- Shake That Cosmic Thing
- Funplex
- Private Idaho
- Whammy Kiss
- Girl From Ipanema Goes To Greenland
- Tell It Like It T-I-Is
- Debbie
- Roam
- Deadbeat Club
- Rock Lobster
- Hallucinating Pluto
- Legal Tender
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More biographical information: Wikipedia
How is the fee of The B-52s determined?
✅ The B-52s fee determination
The B-52s’s manager determines the artist’s concert fee (also known as a guarantee) by evaluating a combination of business, market, and logistical factors.
Here’s a breakdown of key elements considered:
1. The B-52s’s Popularity and Demand
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Ticket Sales History: How many tickets they’ve sold recently in the same market or similar ones.
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Streaming & Radio Metrics: Spotify/Apple Music numbers, YouTube views, Shazam stats, radio spins.
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Social Media Following & Engagement: Followers, reach, and how active and loyal the fan base is.
2. Market Strength
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City or Region: Artists can command higher fees in cities where they are more popular.
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Venue Size: Bigger venues mean more ticket sales and higher potential revenue.
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Local Competition: Is the artist competing with other events nearby on the same date?
3. The B-52s Touring Expenses
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Band & Crew Payroll: Salaries, per diems, union rates.
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Production Costs: Lights, sound, transportation, backline, hotel, security, etc.
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Travel: Flights, buses, fuel, lodging. Fees are often higher for more distant or logistically complex locations.
4. Type of Event
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Hard Ticket Show: The artist is the main draw; ticket sales drive revenue. The fee is based on expected gross revenue minus expenses.
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Festival or Fair: Often pay higher flat fees as the event assumes ticket risk.
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Corporate or Private Event: Typically, higher pricing due to exclusivity and often minimal promotional benefit.
5. Promoter Offer and Negotiation
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The manager evaluates received offers and may negotiate elements to modify the fee or reduce expenses.
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Promoters/Private Buyers typically present a formal offer sheet that includes:
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Guarantee (flat fee): Minimum the artist gets paid.
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Backend or Bonus: Extra earnings based on ticket sales after breakeven. (Typically, this is not applicable to private/corporate events.)
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Expenses: Travel, accommodations, hospitality, etc.
6. Comparing Fees
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Managers often compare fees of similar-level artists to stay competitive in pricing.
7. The B-52s Routing Considerations
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If the date fits smoothly into a larger tour routing, they might accept a lower fee.
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If it’s a one-off or out-of-the-way show, the fee might be higher to justify the extra time and effort.
What other artists are similar to The B-52s?
✅ Artists similar to The B-52s
- Devo — Shares a futuristic, playful approach to new wave music with unconventional visuals, catchy hooks, and satirical themes.
- Blondie — Combines punk, pop, disco, and new wave influences with infectious melodies and stylish retro flair similar to The B-52s’ crossover appeal.
- The Go-Go’s — Delivers upbeat new wave and pop-rock sounds with fun, energetic performances and memorable choruses.
- They Might Be Giants — Appeals to listeners who enjoy unusual songwriting, humorous lyrics, and experimental pop sensibilities.
- Cyndi Lauper — Features colorful 1980s pop creativity, theatrical vocals, and playful individuality that align with The B-52s’ vibrant style.
Who is De La Font Agency?
✅ Would using De La Font Agency services be helpful to you?
How De La Font Agency Can Be Your Go-To Talent Booking Service
When you’re planning an event, the right entertainment can make all the difference. Whether it’s a high-energy concert, or a celebrity appearance that will wow your guests, one name stands out for trusted talent booking: De La Font Agency.
A Legacy of Excellence in Talent Booking
With more than 55 years of experience in the entertainment industry, De La Font Agency has built a solid reputation as a leading talent booking service. At De La Font Agency, event planners, corporations, festivals, non-profits, and private clients explore a vast network of national and international celebrities, musicians, comedians, and influencers.
This company’s expertise spans across genres and industries, making it easier to find the perfect act for your audience—whether you’re hosting a corporate gala, university event, a wedding, a fair or festival.
Our focus is providing top-quality service for you, the Buyer. Providing answers and fast service. We are your Professional Entertainment Consultant, i.e., your Booking Agent.
Why Choose De La Font Agency?
Verified & Vetted Talent
De La Font Agency works directly with top agencies, artist management teams, and production professionals. That means verified talent, fair pricing, and peace of mind.
Transparent Process
From the first inquiry to final booking, De La Font Agency offers a streamlined and professional process.
Custom Entertainment Solutions
Not sure who fits your budget or event style? De La Font Agency can help you discover talent options tailored to your goals and audience. Whether you’re working with a modest budget or going big, we will help you find the right match.
How to Make an Inquiry
- To learn availability and tailored pricing, simply go to the De La Font Agency information request form: “Let’s Get Started“.
- Provide event details: type, date(s), location, audience, and budget.
- Preferred timeline until event date: 90 days – 18 months.
- Suggested minimum timeline: 30 days. (This is to allow sufficient time for contract negotiations, travel and production arrangements, and any other necessary planning.)
If you’re planning an event—concert, festival, corporate gathering, wedding, or otherwise—contact De La Font Agency with your event information to check availability and pricing.
To get started and to get answers, simply go to: Information Request Form
Contact De La Font Agency regarding The B-52s booking fee and availability information for your event.
For other great suggestions regarding booking popular music acts and contact information, look here.
In the below section, find links and information regarding The B-52s videos, music, upcoming tour dates, and Frequently Asked Questions.
Watch The B-52s Videos:
Listen to The B-52s:
Upcoming Tour Dates for The B-52s on Ticketmaster
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