Ozomatli

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Ozomatli


Hits include:

  • It’s Only Paper
  • Cut Chemist Suite

Other top songs include:

  • Dos Costos Ciertas
  • Vocal Artillery
  • Embrace the Chaos
  • Cumbia de los Muertos
  • Chango
  • Pensando en Mi Vida
  • Esa Morena
  • Mi Gente
  • Believe
  • Saturday Night
  • Nadie Te Tira

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Roster: Alternative/Indie

Roster: Latin

Roster: Salsa

Roster: Funk

Roster: Grammy winners

Members:
Wil-Dog Abers, Raúl Pacheco, Justin ‘El Niño’ Porée, Asdrubal Sierra, Ulises Bella, Jiro Yamaguchi

Hire: Ozomatli

GRAMMY AWARD and LATIN GRAMMY award-winning Ozomatli is an American rock band, formed in 1995 in Los Angeles. They are known both for their vocal activist viewpoints and for incorporating a wide array of musical styles – including salsa, jazz, funk, reggae, hip-hop, and others. To date, they have released seven studio albums.

Ozomatli is an Aztec word for the God of dance and appears on the Aztec calendar in the form of a monkey. Ozomatli is an eclectic conglomeration, fusing a wild variety of music. At its core, the group is a dance band, blending funk, hip-hop, Latin rhythms, jazz, salsa, reggae, Tejano, and worldbeat into its sound.

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Ozomatli began their career in the Los Angeles and San Diego/Mexico border-area club scene. Following an appearance on Vibe!, the group broke into the mainstream, releasing “Ozomatli,” their self-titled debut album, in June 1998, under the Almo Sounds label. They released “Embrace the Chaos” in 2001, and “Street Signs” in 2004, with Interscope and Concord Jazz, respectively. Eddie Palmieri, who is also on the Concord Jazz label, is a featured performer on “Street Signs.”

In 2005, “Street Signs” won the Grammy Award for Best Latin Rock/Alternative Album.

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During the 2000 Democratic National Convention, Ozomatli played a live concert before thousands of protestors across the street from the convention hall. Also performing at the protest was Rage Against The Machine.

The group also received the 2002 Grammy Award for ‘Best Latin Rock/Alternative Album’. After playing at Coachella, Ozomatli were featured in Newsweek and on the Univision program Despierta America in June 2004.

In March 2005, Ozomatli played at WOMAdelaide, a world music festival in Adelaide, South Australia. They had two night sets, including a memorable Saturday when, after refusing to leave the stage 15 minutes late, they leaped into the crowd for a remarkable 45-minute encore.

Ozomatli have caused an immediate sensation with their incendiary live shows and hyperkinetic mix of styles that bridge the gap between African, Latin, and American music.

Originally, Ozomatli only played political benefits, but word spread and kids were appearing on the streets of Los Angeles with ‘Ozo’ tattoos. “We represent all the ghettos of LA,” Wil-Dog says. “We want to make a change in our neighborhoods, show people a positive way to live.” He adds, “I knew we had something special the first day we played,” says Wil-Dog, “I’d never been in a band that just wanted to party, to have fun, and still be about something.”

 

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